Murder or suicide? Fakir production’s ‘Guilty or Not Guilty’ lets you decide.

Directed by Rajan Murarung and written by Kiran Chamling Rai, Mandala Theatre’s ‘Bakhaamma’ is mystical, mesmerising and memorable.

Mandala Theatre’s ‘Ticket to Hollywood’ is entertaining, albeit not exceptional.

The third edition of the Nepal International Theatre Festival is happening next year.

Sudam CK’s ‘Ubur Ubur Tikki’ is a dialogue-free exploration of human boundaries, emotions and the search for meaning through body movement and music.

A highlight of the event was the announcement of the 3rd Nepal International Theatre Festival (NIT Fest) 2025, themed ‘Light of Indigenous Wisdom’.

‘Pagla Ghoda’, written in the 1960s, takes on a new life in Mandala Theatre as it explores the tumultuous lives of four characters haunted by their dark pasts.

Mandala Theatre’s ‘The Rose: An Awakening Journey of Yashodhara presents an unconventional, dialogue-free exploration of Yashodhara emotional rollercoaster following Siddhartha Gautam’s departure.

Purano Ghar’s ‘Montage’ tells a relatable story addressing social issues, stereotypes and taboos.

Shilpee Theatre’s ‘Awoken Pillow’ examines the topic through a self-aware script, raw acting and beautiful choreography.

Katha Ghera’s newest production looks beyond the glitz and glamour of wedding preparations.

Mandala Theatre’s ‘Damini Bhir’ is an adaptation of the Madan Puraskar-winning novel of the same name by Rajan Mukarung.

Shilpee Theatre’s recent play ‘Tranzit’—written by Kumar Nagarkoti—is about a crummy playwright with a little too vivid imagination.

Mandala Theatre’s ongoing play ‘Hiu Bhanda Chiso’ transports the viewer to a night of existential frenzy at an isolated village in the far west.

Studio 7’s adaptation of Franz Kafka’s story ‘A Report to an Academy’ is an ode to the absurd and a poignant monologue on human frailty.

Kavya Art, in collaboration with Aarohan Gurukul, has adapted Indian playwright Mohan Rakesh’s 1969 play titled ‘Aadhe Adhure.’

One World Theatre’s rendition of ‘Macbeth’ fuses Shakespearean dialogues with Giuseppe Verdi’s opera, with dramatic results.

‘Chyattiyeko Parda’—which translates to ‘The Torn Curtain’— revolves around a father’s death and how each family member navigates the loss.

Purano Ghar Theatre’s ‘Che is Back’ tries to contextualise Guevara’s revolutionary spirit within the Nepali sphere, but something is amiss.

Go Win Productions’ adaptation of Arthur Miller’s ‘Death of a Salesman’ is emotionally charged and sincerely executed.