Siddhant Adlakha
Siddhant Adlakha is a film critic and entertainment journalist originally from Mumbai. He currently resides in New York, and is a member of the New York Film Critics Circle.
By Siddhant Adlakha
'Hit Man' review: Richard Linklater delivers the year's most killer comedy
Glen Powell continues his rise to stardom as a real fake assassin.
'Emilia Pérez' review: An incendiary transgender cartel musical
Jacques Audiard's gaudy, star-studded Cannes winner is stirring, and surprisingly philosophical.
'The Substance' review: Demi Moore dazzles in a derivative midnight snooze
At last, Cannes embraces body-horror schlock, but the film is more metaphorical than meaningful.
'Oh, Canada' review: Paul Schrader's latest is his most personal work
Richard Gere delivers a towering performance as a documentarian with one foot in the grave.
'Furiosa: A Mad Max Saga' review: George Miller's blazing action folktale might just have outdone 'Fury Road'
The postapocalyptic prequel is intimate, epic, and surprisingly romantic.
'Kingdom of the Planet of the Apes' review: A worthwhile sequel and the start of a brand-new saga
Wes Ball's sequel, set centuries later, echoes Caesar's story in fascinating ways.
'Cuckoo' review: Hunter Schafer soars in kooky body horror gem
Strange atmosphere and raw emotion turn a silly little horror flick into a delightful romp.
'I Saw the TV Glow' review: Queer horror has a new arthouse masterpiece
Jane Schoenbrun's latest Sundance entry is a unique, overwhelming piece of avant-garde cinema.
'The Idea of You' review: Anne Hathaway dazzles in rom-com inspired by Harry Styles fandom
A career-best performance turns a pop-star fantasy into a tale of rebirth.
'Boy Kills World' review: Awesome action, but…
Bill Skarsgård, H. Jon Benjamin, and Sam Raimi team up!
'The Feeling That the Time for Doing Something Has Passed' review: A minimalist sex comedy
Joanna Arnow directs and stars in a wry, BDSM-flavored New York debut.
'Stress Positions' review: John Early's COVID comedy goes boldly cringe
Theda Hammel's energetic, idiosyncratic debut is a microcosm of modern America.
'Strange Way of Life' review: Almodóvar reflects on 'Brokeback Mountain' with his queer Western
Pedro Pascal and Ethan Hawke star as cowboys who once were lovers.
'The People's Joker review: A self-reflexive trans parody takes aim at the modern superhero
Vera Drew's low-budget DC send-up finally sees the light of day.
'Sing Sing' review: Colman Domingo delivers in prison-set friendship drama
A24 offers a powerful work of community storytelling.
'A Nice Indian Boy' review: East-meets-West with a twist in an instant rom-com classic
One of the year's funniest, most rousing festival discoveries.
'Do Not Expect Too Much From the End of the World' review: The absurdity of modern images
Romanian maestro Radu Jude channels Godard, online sh*tposting, and an obscure Romanian drama.
'Anatomy of a Fall' review: A riveting courtroom drama where there's more than meets the eye
Justine Triet's Oscar winner is a captivating and absurd deconstruction of a marriage.
'It's What's Inside' review: You should see it in a theater
Netflix isn't the best way to watch this devious thriller.
'The American Society of Magical Negroes' review: A satirical near-miss
Strong lead performances save Kobi Libii's debut feature from disappearing in a puff of smoke.
'One Life' review: Anthony Hopkins gives another emotionally wrecking performance
Finally, a film about Sir Nicholas Winton, whose heroic refugee efforts went viral years ago.
‘Grand Theft Hamlet’ review: 'Grand Theft Auto' meets Shakespeare in hilarious, moving doc
Putting the "grand" in "Grand Theft Auto."
'A Different Man' review: Sebastian Stan leads a stunning, self-reflexive drama on representation
Aaron Schimberg's follow-up to 'Chained for Life' delves even deeper into on-screen facial difference.
'Bob Marley: One Love' review: A bog-standard biopic that avoids complications
A film that treats the king of Reggae like a "coexist" bumper sticker.