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The Dark Side of the Moon 50th Anniversary
Remastered
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The Dark Side Of The Moon (50th Anniversary) [2023 Remaster] [Explicit]
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Price | New from | Used from |
MP3 Music, March 2, 1973
"Please retry" | $11.99 | — |
Audio CD, Original recording remastered, October 13, 2023
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| $12.98 | $17.53 |
Blu-ray Audio, October 13, 2023
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| $23.01 | $20.31 |
Audio, Cassette
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| — | $39.99 |
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from $12.98 - Vinyl
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From the brand
Track Listings
Disc: 1
1 | Speak to Me |
2 | Breathe (In the Air) |
3 | On the Run |
4 | Time |
5 | The Great Gig in the Sky |
Disc: 2
1 | Money |
2 | Us and Them |
3 | Any Colour You Like |
4 | Brain Damage |
5 | Eclipse |
Editorial Reviews
Original studio album remastered by James Guthrie on 180g vinyl in a gatefold jacket with original posters and stickers
Product details
- Language : English
- Product Dimensions : 12.2 x 12.3 x 0.4 inches; 1.1 Pounds
- Manufacturer : Legacy Recordings
- Original Release Date : 2023
- Run time : 43 minutes
- Date First Available : August 30, 2023
- Label : Legacy Recordings
- ASIN : B0CGJVLF9Q
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #10 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #3 in Rock (CDs & Vinyl)
- Customer Reviews:
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50th anniversary Dark Side of the Moon 180g vinyl
Tools. Electro. DIY
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Dark side of the moon is a timeless piece!
Tools. Electro. DIY
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Note: This Box set weighs a TON.... The packaging is the best I have ever seen on a box set - all discs are in separate slipcases so no discs flopping around at bottom of box so no disc scratching - what a relief - I had to send back my Wish you were here Immersion for that reason (scratched discs). The "Single" records in the size of a 45 RPM but with the smaller 33 1/3 RPM spindle holes are cool. Wall Posters look authentic to originals included with original Vinyl release back in 72 (I have it somewhere) & records are heavy gauge, not warped & perfect.. And like I said - the packaging can withstand a nuclear bomb - quadruple boxed... Is it worth the $$$$ - If you are a Pink Floyd Lover and want the ATMOS Mix (the only mix that comes close is the SACD DSD 5.1 surround from 2003 - played on a REAL DSD player not a DSD to PCM decoder.)
Added on 5/11/23: I wanted to clarify my last comment comparing the 2003 SACD 5.1 DSD encoded surround mix and the new Dolby ATMOS mix. What I meant to say was the 2003 DSD 5.1 SACD surround mix was the best multi-channel Surround Mix until the new Dolby ATMOS Surround mix found on the 50th Anniversary set only - both are excellent - but the ATMOS is superior assuming you have a properly equipped true Dolby ATMOS setup - meaning a Blu-ray player and surround sound processor that support and can decode the Dolby ATMOS format along with the appropriate number of speakers correctly positioned as per the Dolby ATMOS recommendations. My system uses an Oppo UDP 203 4K BluRay, DVDV, DVDA, SACD, DSD, CD etc... player, an Emotiva RMC-1 Surround Processor supporting Dolby ATMOS, DTS:X, Dolby TrueHD and DTS-HD Master Audio, Dolby Digital Plus, 5.1, 7.1 PCM & True DSD & DSD over PCM etc.. 3 high powered Subwoofers, main Def Tech (7) speakers powered by 300 Watt / channel amps & 4 10" Toshiba Ceiling speakers (front & Rear ATMOS) @ 100 Watts/channel. High Resolution Audio up 32 Bit @ 384 KBPS by comparison a standard CD is 16 Bit @ 44.1 KBPS audio resolution - Dark Side of the Moon - besides the remixed standard CD there are 5 High Definition mixes of the entire album on the 2 Blu-Ray Discs 1) Dolby Atmos 7.1.4 Mix, 24 Bit/96 KHz per channel 2) Stereo Mix DTS HD-MA 3) Surround 5.1 Mix DTS HD-MA 4) Stereo Mix 24 Bit /192 KHz uncompressed 5) Surround 5.1 Mix 24 Bit /96 KHz uncompressed.
DSD via SACD discs has been around for around 30+ years. SACDs were typically packaged as multi-layer discs with a regular CD quality copy of the album included with the High Definition DSD content so that the SACD could be played on regular CD players but when played on a SACD/DSD equipped disc player and a Receiver/Processor that could decode DSD (in either PCM format or True DSD - BEST Quality!) - you would hear the difference whether the DSD copy is in UHD Stereo Audio and/or a 5.1 UHD surround copy of the Album. Some SACDs contained all 3 formats of an Album, Standard CD, DSD UHD Stereo and DSD UHD 5.1 Surround. A fantastic format that unfortunately (like DVD-Audio) did not catch on- more popular in Japan and Europe - the special hardware / software required to read the disc (special laser required in player) and then decode the disc (Processor) - further complicated by copyright protection requirements & licensing for the software and integration - companies like Oppo just added all these formats SACD and DVD-Audio which used the entire capacity of a DVD disc most allocated for video, to expand Audio capacity to support not only bit streamed multi-channel encoded formats like Dolby Surround and DTS MA-HD but also totally uncompressed full bandwidth PCM up to 7.1 uncompressed PCM Audio (Dolby and DTS have some compression using their proprietary encoding/decoding format). SACD used the DSD encoding/decoding to get 5.1 (not sure if it goes up to 7.1) but a very pure and balanced sound with most manual adjustments locked out from user as they did not want the user to mess with their protocol by changing the levels or tone equalization on an individual channel basis, similar to Dolby Atmos - you are locked out from many individual channel fine tuning as the Dolby immersion software does that for you. I hope that streaming does not make obsolete physical media like the BluRay disc - there is no comparison IMHO between a Dolby Atmos Audio only or Audio/Video (e.g. a movie encoded with Atmos sound) on disc vs the same content via streaming.. No Matter how fast your connection is there is always lag and to prevent "complaints from users who bother to report this" the streaming service content providers add COMPRESSION to both the Soundtrack and the Video - so you are not getting the same picture and sound streaming as you do running the disc locally - especially with quality equipment using hardwires to connect the components (not wi-fi). Much better picture and sound.
That’s not what I normally see in laser-etched art-work so it was very impressive and fitting for the 50th Anniversary version. Also, Side one and Side two are printed on separate vinyl discs. Keep that in mind before you try to play the 'flip-side!
Both LPs are clear vinyl and the LP thickness and grade are 180g, which is the heaviest I’ve ever seen in ANY album I’ve ever had!
My home system consists of a McIntosh MC-2105 Power Amp, Sound Shaper III EQ & Preamp, Fluance RT-85 Turn Table (with an Ortofon 2M Blue Cartridge) fed into an ART Phono-Plus preamp, and 4 Klipsch Speakers with two Klipsch Subwoofers.
I played Side one all the way through and it was very clean. It sounded great as one would expect but I would have to replay my original Dark Side of the Moon LP before I could make a comparison because it’s been a while since I’ve played that one.
I'll get around to that in a few days but as far as I'm concerned, the 50th Anniversary LP was a Great Buy and I recommend it to anyone who's a fan of Pink Floyd! 5-STARS!
Rich
Top reviews from other countries
As a result of its fame, there have been many releases of this album over the years to take advantage of every new advance in audio technology, from graduating from vinyl to tape to CD to new digital audio formats, and now, a Dolby Atmos release. This Dolby Atmos version is not just one of the highest quality ways to hear the album with lossless audio; it is now also probably the trippiest version of the music you're ever likely to experience in a sober frame of mind.
Thanks to the incredibly respectful Dolby Atmos mix the album has received, the directionality of the songs now comes through vividly in ways that even the previous 5.1 mix couldn't handle. People who carefully listen and have a Dolby Atmos home theater set up will be able to discretely pinpoint music and sound effects popping up around and even above them during some of the songs, with unsurprising standouts being audio effects like the cash registers in "Money," or the various clocks in "Time" or even the way the different snippets of interviews with Abbey Road staff drift throughout various songs.
The combination of high quality, lossless audio, and new object-based audio directionality gives the album a fresh, surprising feel that makes the experience feel new again. It also once again cements the album as one that should be experienced from start to finish rather than just listening to a favorite song here and there.
For people who have a Dolby Atmos home theater and want the best experience of this iconic album that shows off to other people what Dolby Atmos can do for music, this is a must-own, demo-worthy album.