The borders between “movies” and “television” were already beginning to buckle pre-pandemic, thanks to Netflix and the desire of studios to release their product on as many simultaneous platforms as possible.  Now, of course, we’ve been 4 months without movie theaters, and the most optimistic view is that wide openings are still weeks if […]

  MISS AMERICANA (Netflix – January 31):  There are certainly areas of Taylor Swift’s life that are carefully elided in MISS AMERICANA (her actor boyfriend’s face and name are absent, for example, and there’s no mention of Cats), and Lana Wilson’s documentary culminates in an inspirational push that is very much on-message with Swift’s latest […]

  HUSTLERS (STX – September 13):  Lorena Scafaria becomes the latest filmmaker failing to ascend Martin Scorsese Mountain.  Her Hustlers wants to be Goodfellas in its marrow, not only in its based-on-a-true-story tale of New York criminals who ride high and then go down, but in its structure of interspersing dispassionate after-the-fact narration with the […]

  INHUMANS:  Friday 9PM on ABC (starting Sept 29) – Change the Channel In this world of Peak TV, it’s harder for a new series to break through the clutter than it’s ever been, and that thicket will be a veritable forest during the fourth week of September, when the major broadcast networks will follow […]

  A week at the Toronto Film Festival added up to 24 screenings–a decent pace, but not an outstanding one.  Blame some vagaries of the festival’s scheduling, and a baseline decision that Midnight Madness was too much midnight and maybe even too much madness.  The potential awards contenders I wasn’t able to get to included […]

  Scott Cooper’s BLACK MASS is a beautifully put together and wonderfully acted true-life drama about Boston gangsters and the law, but it has a void at its center that holds it back from greatness.  That center isn’t occupied by JoOut ofhnny Depp or his character James “Whitey” Bulger (one used that nickname with him […]

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]

  BLACKHAT:  Not Even For Free – One of Michael Mann’s Worst Michael Mann has become a filmmaking vampire; he sucks the blood out of promising projects.  His new, seemingly up-to-the-minute computer hacking thriller BLACKHAT, following his problematic Miami Vice film and Public Enemies (as well as the pilot for HBO’s Luck) is once again his trademark kind […]